 |
The Slayer is on the left and the sphinx is
on the right. In case you wondered. |
I keep asking myself why I was surprised that I enjoyed
The
Slayer and the Sphinx as much as I did. Were my expectations low? I had
no reason for them to be. In any case, I really enjoyed the book. Author Adam
Bolander, whom I had the privilege of sitting down with for a chat recently, did
a nice job. The book was exciting, I liked the characters instantly and got
sucked into the fictional world that the author created.
The story begins with one of the most promising young
Slayers, Porter, doing what he does best: killing a legendary creature called a
Mythic. The Slayers are horrible racists, out to purge all nonhumans from the
world. Porter is soon sent to slaughter a family of sphinxes, including young
Sarah, but something goes wrong. Sarah transports herself away from the danger
but accidentally takes Porter, who now has amnesia, with her. All of a sudden,
these two mortal enemies (even if Porter doesn’t know it), find themselves
teamed up to survive. This story is their journey.
Like I said, I genuinely enjoyed it. It was a quick, easy
read and lots of fun. I think that, in particular, fans of the
Percy
Jackson series would really have a blast. Teens and adults who like a
lot of action and adventure could do a lot worse, that’s for sure.
Now, the version of The
Slayer and the Sphinx that is currently available is actually an updated
edition. The first printing was about half the length, but now this book is
split into two consecutive parts, Book One: Destinies Collide and Book Two: The
Historian’s Tower. I am very glad that I got my hands on the book after the
addition because it would have really annoyed me to have a copy that only
contained the first half. Not only would that be a very short novel, but it
didn’t have any sort of an ending. It simply stopped in the middle of the
story. Things are a bit better with The Historian’s Tower included, since that
part centers around the tower itself as a major set piece and the adventurers
leave it behind at the end, but the author still doesn’t seem to have much
interest in closing this section of the journey in any real way. I understand
that this is the first book in a planned trilogy, but I’m of the opinion that,
when you release a book to the public, it should have a clear beginning, middle
and end even if it’s part of a series that has its own story beats. This book
doesn’t do a great job providing a clear ending for this part of the story, so
it seems kind of arbitrary when the book just ends in the middle.
 |
Speaking of things that have no
discernible purpose... |
My other quibble with the book (have you ever noticed that
flaws of books you enjoy seem more
pronounced that those of books you’re indifferent toward—or is that just me?)
really didn’t bother me much while reading it, but has pestered me as I’ve thought about the book since. You’ll see some of this in our interview but I felt like thinking too much about certain aspects of this world sort of fall apart if you poke them at all. The Historian’s Tower itself is one such example. It’s a secret tower in the middle of nowhere that most people don’t believe exists. It’s full of historians who are willing to give their life to protect the histories they spend all of their time chronicling,
but it’s difficult to see why. I got to ask the author about it, and you can
read our exchange below, but I honestly didn’t buy his explanation. If that
sort of thing bothers you, you might want to steer clear; however, if you’d
like a fun, action-packed read that you don’t need to think about too much,
this is a great choice. I certainly intend to read the sequels!
And I’m glad Adam joined me today to be poked and prodded a
bit. You can find more about him at his
Amazon.com
author page.
Brad: Thanks for hanging out
today, Adam. I enjoyed reading your book and I’m glad we’ve got the chance to
talk about it now. Let’s begin by you telling us a bit about yourself. How long
have you been writing? Why did you become an author?
Adam: Hey, Brad!
Thanks for having me here. That’s a bit of a two sided question.
Technically, I could say that I started writing when I was about seven or
eight. I saw the commercials for the
Harry
Potter and the Chamber of Secrets movie on TV and desperately wanted to
go see it. Living in a very Christian
 |
Then there was the scene where Terry Traxter's
ginger and ghost shared that tender smooch. |
household, though, my parents had
strictly forbidden any and all contact with Harry Potter (which is ironic,
because now it is my mother’s favorite story of all time!). So, what was
I to do? I began writing my own blatant ripoff called “Terry Traxter and
the secret of the Dragon’s Nose.” All I had to work with was what I could
see on the commercials, though, so my story tended to go something like, “Terry
took two steps and fought a giant. He took another step and fought a
knight. Then he turned around and fought a giant snake.” Yes, may
that wad of filth fester for all eternity in whatever godforsaken landfill that
old computer ended up in.
 |
| "The Winter King had better ho-ho-hide!" |
Though there were several other attempts to write stories
after that, I never really started taking the whole thing seriously until my
junior year of high school, when I made a spur of the moment decision to write
a story instead of paying attention in agriculture class. It was a story about an orphan boy who was
taken by Santa Claus to the North Pole to help him fight a war against the
Winter King. I can’t exactly say what it was that was different that time, but I became hooked and I’ve been writing stories
ever since. While it wasn’t very good,
as most writers’ first attempts are, that story still holds a special place in
my heart, and I’d like to revisit it again sometime.
Brad: Stories that have all
the depth of a movie trailer? So you evolved from Dan Brown? Nevermind. So tell
us about the world where The Slayer and
the Sphinx takes place.
Adam:
The Slayer and the Sphinx
takes place in our world. On the surface, everything is exactly as we
know it, but if you were to know what to look for, you’d begin to see signs
that we are not alone. There is another society living alongside us, made
up of almost every mythical creature and fairy tale monster we’ve ever heard
of. They’ve always been there, living in secret, never revealing
themselves for fear of the Slayers that hunt them down and purge the world of
nonhuman blood. It’s similar to the worlds of
Harry
Potter or
Percy
Jackson.
 |
No offense to Porter, but he is not
the most attractive Slayer out there. |
Brad: I’ve started keeping an
eye out and I actually found a giant sphinx! It’s in Egypt! And it’s made of
stone! And it’s missing a nose! So I guess you’re right. Now, what can you tell
me about Porter? Is he of any relation to
Buffy,
the most famous Slayer of all time?
Adam: Haha, no, no
relation to Buffy. To be honest, I’ve never seen an episode of her
show. I actually don’t think that anyone really inspired Porter.
Not directly, at least. I pretty much made him from scratch. He
starts out as the mean, battle-hardened Slayer, but I think it’s who he becomes
that’s so much more interesting. In a time when all of our heroes seem to
have to be strong lone wolves, it’s been refreshing to write one who is weak
and vulnerable, genuinely needing the guidance and support of another character
while still keeping the bravery and strength that defines what makes a hero.
 |
Honestly, he's not the second most
attractive Slayer either. It's a pretty
long list. |
Brad: You have the
unmitigated gall to throw around the term Slayer
without ever even watching Buffy?!
You’d better start mitigating that gall of yours, boy! But what about Sarah?
Why did you choose a sphinx? I don’t think she asks a single riddle in the
book.
Adam: Well, I can honestly
say that Sarah is most likely the least original part of my story. I
wanted to use a creature that was semi-human, but not in the typical way. We’ve got so many stories nowadays about werewolves, vampires, angels, and demons that I thought it would be cool to try something that
didn’t
naturally look human. I was stumped for a while, but then I stumbled
across an awesome
webcomic called Skin
Deep, drawn by the amazing Kory Bing, that had a very similar premise to my
story, minus the Slayers, and it featured a sphinx as the main character.
A sphinx…well known, but not commonly used, with an interesting history and
several attributes that could easily be used in a story. Nobody will
notice if I just swipe that one little idea… right?
Brad: But—what about the
riddles? How can a sphinx not ask riddles!? She could be all like, “Riddle me
this, Porter...!” Ah well. Missed opportunity. I know you’ve covered these, but
can you identify any other influences—other books, film, TV, music, rock
operas, whatever—that inspired you in the writing of The Slayer and the Sphinx?
Adam: I think the two
biggest contributors to
The Slayer and
the Sphinx were
Harry Potter and
Percy Jackson. As I’ve said
before, the worlds they take place in are very similar. Brandon Mull’s
Fablehaven
 |
The orchestra helped him orchestrate scenes!
Get it?! |
series was also quite influential, giving me ideas as to how mythical
creatures could exist in our present day world. And as for music, I can
attribute that to
Two
Steps From Hell, my favorite orchestra!
Their songs have helped me orchestrate so many scenes that I almost feel
I should pay them royalties…Yeah, I’ll expect the bills morning, okay?
Brad: I mentioned earlier how
I thought fans of young Perseus Jackson would enjoy this book, so that makes sense, although I don’t feel like it’s
derivative at all. When I first saw the original book cover, with art by Kory
Bing, the webcomic artist you mentioned earlier, I thought the book was likely
aimed toward middle schoolers or tweens. However, some might argue that, with
decapitations and stuff, the book may be too violent for them. Who do you
consider to be your ideal reader?
 |
| The new cover design is much grittier. |
Adam: When I first
started The Slayer and the Sphinx, I
believed it would be appropriate for all ages, similar to (again) Harry Potter or Percy Jackson. I thought it was serious enough to warrant
older readers, but tame enough to be okay for younger ones as well. I
began to change my mind when I started getting reviews stating that people
thought the story was too violent and dark for their children. Besides
that, I’ve been noticing that the farther I get in the story, the more
explicitly violent it becomes. At the point I’m on right now in the
sequel, I can’t help but agree that the story is no longer appropriate for
young readers. Now I would place it firmly in the YA category,
appropriate for 14 years or older. While never gory, it does have its
fair share of decapitations and other means of violent death. And to
reflect this, I am currently
having an artist draw me a new cover for it, one
that looks less childish and more mature.
Brad: I’ve always said that
there aren’t enough decapitations in children’s literature. It rarely happens
in
Winnie
the Pooh, even when Owl totally deserves it. As Sarah and Porter get
thrown together, they begin making their way toward a sanctuary for Mythics
where they will be safe. If there are areas of safety like this, why do Mythics
live anywhere else?
Adam: Because the
Sanctuaries are a double edged sword. They provide safety from the
Slayers and the privacy needed to be themselves, but they also cut the Mythics
off from the real world. If one lives in a Sanctuary, there is little to
no opportunity to leave. That’s why some Mythics have deemed it
worthwhile to live their lives in the human world, despite the risks.
Just because a prison protects you from outside threats
 |
| It's just like Disney World! |
doesn’t mean that it’s
not still a prison.
Brad: So why not make the
sanctuaries nicer? Do they get all that much out of being in the real world? It
doesn’t seem like Sarah, for instance, has a lot of interaction with humans as
it is.
Adam: The sanctuaries are
rather nice. As you'll find out in the second book, they're basically like
human towns, except they're full of Mythics. The thing that makes them prisons
isn't the fact that they're rotten places (because they're not), it's the fact
that they can't leave. Not because
they're not allowed to, but because the fear the Slayers have over them is so
overpowering. After all, all they need
to do is force one captured Mythic to talk and the entire Sanctuary would be
doomed.
Brad: Now let me point out
that, at the beginning of this book, Sarah is on her own because her parents go
off to a Sanctuary to do business, and of course they intend to leave when they
are done. The second half of the book centers around the Historian’s Tower,
which most of the world considers to be mythical and which very few have access
to. The historians believe it’s important to remember the past—every single
detail of every moment!—to learn from it and not to repeat its mistakes.
However, the historians are far too busy chronicling the present and recent
past to study the past and very few people know about the tower so...who does
this benefit exactly? What’s the point?
Adam: As Father Lucius
said, they don’t discourage visitors, but they don’t encourage them
either. The last thing they want is for the tower to become a tourist
hotspot. If a traveler is crafty enough to discover the tower on their
own, they are welcome and all the information inside is theirs to discover.
 |
"So you want me to give you detailed instructions
so you can do precisely what I told you not
to do? Okay! Sounds fun!" |
Brad: Hmmmm. Honestly, it all
seems weak to me, especially when someone mentions that the historians are
willing to give their lives for their closely-guarded research! But I do have one
more question about the Historian’s Tower. The lead historian, Father Lucius,
happily gives Sarah all the information she needs to illicitly gain access to
the Keeper’s Fire without his permission. Did you intentionally set out to
write the biggest idiot in the world—maybe drawing an ironic comparison between
book knowledge and genuine
intelligence—or did he just turn out that way?
Adam: I don’t think
he’s an idiot at all. He gave her the password, that’s true, but in the
end, would she have ever discovered the secret if not for Albie Koob?
Lucius’ scheme was to put the truth right in front of people, because that’s
the last place they’ll think to look for it. If you’re searching for the
series of words that will open the door to almost infinite knowledge, how many
people will think to say, “A turkey pickled in olive juice, a flying cucumber
plant, and a quarter the size of Kentucky?”
Brad: No, she wouldn’t have
learned anything without the help of Albie Koob—but Lucius pointed her in his
direction! If he honestly did not intend for her to access the forbidden information
on her own, then I still must contend he’s a bit of an idiot...and, given that
she does indeed access that info in the book, the evidence is on my side! But let’s
move away from the book and take a look at you, Sir. What do you perceive to be
your greatest strength as an author? Your greatest weakness?
Adam: My greatest
strength? Everything! Just kidding.
Honestly, I think it’s the way I put detail into my stories. I don’t do a huge amount of world building
before beginning the story (I prefer to do it as I go) because my focus is on
the characters. What’s going on in their
heads? Their hearts? What do they think of the other
characters? How do they feel? My goal is to make you feel a connection with
the characters. The world they’re in
comes second. The detail is also
apparent in my fight scenes. While lots
of authors will gloss over parts of the battle to make it seem longer, my
fights tend to be short simply because I provide a moment by moment description
of what’s going on. I don’t want the
reader to just know they’re fighting, I want them to see the fight! My main way of doing this is to ask myself,
“How would I describe a fight scene in
The
Matrix?” That’s the kind of
detail I want in my fights. Because of
this, people have often told me that my fight scenes are like reading a comic
book.
 |
Every time a chipmunk ran by outside while
we were talking, Adam stopped to bark at it
for six or seven minutes. |
As for my greatest weakness, it's definitely how easily
distracted I am. A lot of my writer
friends complain about how hard it is for them to come up with new ideas to
write, but I'm the exact opposite. I can
pluck awesome story ideas from thin air at almost any time. The problem with this, though, is that it
makes it very hard for me to focus on any one story. I'll start one, get a few chapters in, and
then suddenly have an even BETTER idea!
I'll abandon the first idea in favor of the second one, and then the
process just repeats itself. I'll tell
people about my ideas all the time, but I always make sure they understand that
the only time, and I do mean the ONLY time, you can be sure that I'll finish a
story is if it's the sequel to a story I already have out.
Brad: You know writers who
have a difficult time coming up with ideas? Wow. Are you sure you don’t mean
clowns or veterinarians or something? Most of the writers I know have too many
ideas like you! Now permit me to take a moment to address my beloved readers.
Readers, I first became aware of Adam’s existence through a Facebook community
of independent Christian authors. So I’m outing him here as a follower of Jesus
Christ, even though The Slayer and the
Sphinx is not a Christian book (although there isn’t any profanity or
Slayer/Sphinx sex). Adam, do you feel any responsibility as a believer to
explore spiritual themes in your work at all? Are there themes in this book
that subtly point to God? Talk to us about what connection your faith has to
your writing, if any.
Adam: I’m not a big
fan of putting an obvious Christian message in my stories. I did that in
my previous story,
Legends
of the Saloli, and ended up beating the reader over the head with
it. I’m a firm believer that every story has a message, and that your
beliefs and ideals will make themselves known throughout it. There’s no
need to meditate beforehand on how you’re going to incorporate [Christian
message 1] and [Bible message 2] into your story, just let the story tell
itself.
Brad: Yikes! Well, don’t read
any of my books. You won’t like them! What are you working on right now? Give
us details! Hold on, actually. If I know Adam, there will be about five
thousand answers here. What about if you tell us what you’re working for that
you intend to publish, and maybe also throw in your favorite
 |
| These are Adam's works-in-progress. |
extra project and
how your readers can experience it?
Adam: Haha, you’re
right! I’ve got so many ideas that I am working on/want to work on that
we’d be here until the Second Coming if you had me explain them all.
Well, first and foremost I am working on
The
Convict and the Captive, the second book in the
Slayer/Sphinx Trilogy. I’m not entirely sure where I’ll go
after that story is complete, but for now I am also working on a new venture
with my new website,
The Happy Hat Dump,
where I plan on uploading novellas and short stories that people can read and
enjoy for free.
Brad: Ah yes, The Happy Hat
Dump. For all your jovial headgear needs. Adam, I’m sure you recognize these
individuals on either side of me. This is Shadow on my left and Drake Mortoph
on my right. Both, as you know, are master assassins, two of the most powerful
Slayers to ever walk the earth. The reason they’re here, of course, is that I
have convinced them that you are a Mythic, and have shown them your writings of
their own lives as proof. But they will not attack unless I give the order, and
I will not give the order unless you refuse to name for me your favorite book
as a reader. Of course, you’ll also have to tell me why.
 |
| Picture: Not a Redwall clone. |
Adam: Well, permit me a
few moments to think about this question. Hmm...I’d have to say M.I.
McAllister’s series,
The
Mistmantle Chronicles. Not too many people have heard about them,
and half of those that have heard of them write them off as nothing more than a
Redwall
clone—which is a crying shame, because I think McAllister did a much better job
than Brian Jacques did.
Brad: Hence the stories about
squirrels, huh? Oh crap! Where did Shadow go? He likes to disappear. Better
tell me your favorite author really quickly before he kills you! Sorry about
that!
Adam: Dang It, Brad! I can’t trust you with anything, can I? Okay, I’d better talk fast.
My favorite author has got to be
Ted
Dekker. My life has never been moved by a Christian author’s books
like it has for his. Not to mention that his stories are AWESOME.
They all tie in together the same way that all the DC or Marvel comics take
place in the same universe, and that takes talent, man! Yeah, Team Dekker
forever!
Brad: You know, I’ve tried out
Dekker twice, always thinking he would be my kind of author, and I’ve never
been able to get into any of his stories. I don’t know why. Oh well. Glad you
enjoy him! And hey. Look at that. You’re still alive (for now). Perfect time
for a final question. If readers check out
The
Slayer and the Sphinx—which I did genuinely enjoy!—and want to support
you as a self-published author, how can they best do that?
 |
"HEY! DID YOU HEAR ABOUT
THE SLAYER AND THE SPHINX!?!?" |
Adam: The very best thing
anyone can do for me is tell people about The
Slayer and the Sphinx. Show them the
book, tell them why you liked it, where they can buy it, lend them your copy,
whatever it takes—just make sure EVERYONE you know who might enjoy the story
hears about it!
And there you go. Me, Brad, again. Hi, guys. Interview’s
over and Adam would like you to rush out and scream about his book from the
rooftops.
Seriously, though, I recommend the book. It’s a little
secret of mine that I sometimes schedule these interviews because I want to
read the books and it’s easier to make the time for it if I’m doing it for the
blog. Then it’s official writer work, I mean. So thanks for joining me on my
latest journey to read something that interested me! And feel free to support
Adam by picking up a copy of his book and lending it to all your friends!
